The exhibition in Białystok is the first survey of the artist’s video works, beginning with the expressive Entropy (1996), a poignant “iconoclastic” response to the disappearing analogue photography, torn apart before the viewer’s eyes by a massive industrial shredder. Following numerous video works devoted to the historical role of photography and the inevitably approaching digital era (Hiroshima, Araki at Work, Yumiko), Müller-Pohle turns…